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PROGRAM SENSE 2017
Videodrome 2/ 49 Cours Julien 13006 Marseille tel. 33 4 91 42 75 41
Thursday July 6, 17h15 & Saturday July 8, 19h
free price
12 films - 70mn



sadescription Comment on peut supposer que Dieu était bien intentionné, malgré les avalanches, les moustaches et les petits tracas quotidiens
6mn10   color   stereo   2016   Canada
by Marie Dauverné
I'm not a first name. I'm not a square. I am a complicated polygon, a wobbly country on two feet - a hexagonal uninhibited shame, Canadian promises by the barrel (for sale), a Quebec with paper borders. A post-Charlie hybrid slam of autofiction microstoriesis "comment on peut supposer que Dieu était bien intentionné […]" is an experimental video punctuated by various qualifiers, image printed overlays, animation, video and glitter animated gifs. A kitscho-performative collage for an identity crisis era.
self-production
distribution : Groupe Intervention Vidéo
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sadescription Cortopunk
3mn18   color   mono   2017   France
by Carole Thibaud
It's time for Corto's haircut. It's a real event, a ceremony. Public is there, weather is good, stars are aligned.
self-production
self-distribution
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sadescription Shot
9mn30   color   stereo   2016   Germany
by Aemilia Scott
SHOT is an experimental film that tries to make formal sense out of senseless violence. Footage was found from every police shooting over the last two years for which there is available video. Each piece of footage is taken unedited, and aligned -- synchronised to the moment of the first gunshot. The lm is a moving composite, modelled after the composite photographs used by criminologists in the 19th century to try to understand the archetypical thief, rapist, murderer. The end result is an uncanny wave of terror, violence, and outrage.
self-production
distribution : aug&ohr medien
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sadescription L’hortograffe pour tous
4mn29   color   dolby stereo   2016   France
by Yves-Marie Mahé
To your pens!
self-production
self-distribution
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sadescription Pillar of Cloud
4mn03   color   stereo   2016   New Zealand
by Brit Bunkley
Oil, ghost towns, and dust devils are aligned as tropes of climate change. Tornado-like dust devils, as canaries in the coal mine, are increasingly common in hot, barren deserts and in drought-stricken areas of the world.
self-production
self-distribution
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sadescription Tekrar
2mn15   color & b/w   stereo   2016   Lebanon
by Chantal Partamian
A collage of archival footage, super 8mm and pal formats exploring the redundant repetitive trap of war.
self-production
self-distribution
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sadescription It Is What It Is
8mn   color & b/w   stereo   2016   USA
by Cyrus Tabar
As filmmaker Cyrus Yoshi Tabar digs deep into his family history for answers to questions that have shaped his life, he finds that there are some things that might be better off left in the past.
self-production
self-distribution
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sadescription Sainte-Adresse (Prologues #1)
2mn10   color   stereo   2017   France
by Boris du Boullay
To begin, to begin again... Then move on to next, stack potential movies. I will shoot prologues of all the movies that I will never shoot. Prologues will feature 10 films that will draw an imaginary vision of a face to face with the cinema. Sainte-Adresse is the first prologue of this new serie.
self-production
self-distribution
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sadescription Towards The Hague
4mn50   color   mono   2016   Netherlands
by Sylvia Winkler & Stephan Koeperl
A critical approach towards the International Criminal Court for the former Yugoslavia (ICTY). During a bicycle tour to The Hague we sing a song whose lyrics are based on our research about the development and the pros / cons of this legal institution. Melody and setting are inspired by the movie "Ko to tamo peva", a black comedy about a bus journey to Belgrade just before the bombardment by the German Wehrmacht.
self-production
self-distribution
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sadescription It's Stonewall in My Navel
7mn35   color   stereo   2016   USA
by Laurel Beckman
The impulse to daydream is thwarted; a navel-gazing subject travels inside and outside her body, where her navel plays host to revelers and protest tools at Stonehenge and Stonewall.
self-production
self-distribution
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sadescription C'est pas pire Anna
3mn20   color   stereo   2016   France
by Maxime Hot
The dangerousness of carnivorous fishes in aquatic environment illustrated by splatter cinema and little songs. Literalities series n°3.
self-production
self-distribution
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sadescription Ça brûle
11mn28   color & b/w   stereo   2016   France
by Agathe Dreyfus & Christine Gabory
Patrice Claude, ancien intermittent du spectacle, s'est immolé le 27 avril 2016 devant sa caisse de retraite à Marseille. "Ça brûle" se base sur ses propos enregistrés le 1er juillet à l’hôpital.
production : 360° et même plus
distribution : 360° et même plus
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